PercussionArts
is a school of African, Cuban, Latin and Indian rhythms and percussion. The school
is located in the Western Part of the beautyfull City Basel (PercussionArts
Wasgenring 78, 4055 Basel).
A wide range of courses, workshops and private sessions allow you to immerse yourself
in the drumming cultures of Africa, Cuba, Latin-America and India and to develop
your skills to the highest level. We provide extensive course materials to give
you an in-depth view of the history, theory and practice of these drumming cultures.
Instruments such as djembés, doundoums, congas, timbales, assorted small percussion
instruments, tablas, pakhawaj etc. are available for use during lessons - you can
also purchase or rent highest quality African, Latin and lndian drums and percussion-related
instruments (visit our 'online shop').
PercussionArts is run by Jörg J. Kaufmann. Jörg's interest in non-European drumming
cultures was kindled when he was 12-years old. Since then he has studied and researched
African, Latin-American and Indian rhythms and percussion with great passion and
extraordinary commitment (see his biography below).
Geleitet wird PercussionArts von Jörg J. Kaufmann. Im Alter von zwölf Jahren begann
er sich für ausser- europäische Trommelkulturen zu interessieren und hat sich seither
sehr gründlich mit dem Erlernen und Erforschen afrikanischer, lateinamerikanischer,
sowie indischer Rhythmik und Perkussion auseinander gesetzt.
With 30 years of experience, Joerg guarantees you a first class learning experience
regardless of your ambitions, needs or skill level!
Biography
Joerg Joshua Kaufmann (1964)
1976-1982 First drumming experiences – lessons and workshops with various
Swiss percussionists.
Studies of Afro-Cuban Percussion
1982-1994 Study of history, theory and practice of conga, timbales and small
percussion at the St. Gallen Jazz School (1982-1984) and Zürich Jazz School (1984-1988)
with Willy Kotoun.
Studies of African Percussion
1985-1996 Djembé, Doundoum (bass drum) and assorted small percussion instruments
with African drumming masters such as Adama Dramé, Soungalo Coulibali and Louis
César Ewandé, as well as with various Swiss percussionists such as Peo Oertli, Tini
Hägler, etc.
Studies of Indian Percussion
Jörg lived in Northern-India (mainly in Varanasi) for 12 years from 1991-2003
where he researched and studied intensively the barrel-shaped pakhawaj drum (Mridang)
considered the "mother" of classic Indian percussion instruments. He focused on
a range of different styles that are still being played today (Kudou Singh Gharana,
Nana Saheb Pansee Gharana and Nathdura Gharana). He lived and studied with the greatest
masters according to the traditional Indian principle of "Guru-Shishya-Pampara".
1991-1997 Mohan Prasad Tiwari (Varanasi)
1991-1992 Pt. Arjun Shejwal (Bombay)
1991-2000 Helmut Waibl (Student von Pt. Tribuon Upadhyaya und Pt.Ramji Upadhyaya
1994-1996 Raja Chatrapati Singh Ju Deo (Bijna, Madya Pradesh)
1995-2000 Pt. Ramji Upadhyaya (Ishwarpur, Bihar) & Sohn Ravi Shankar Upadhyaya (Allahabad,
Uttar Pradesh)
1997-2003 Pt. Pannalal Upadhyaya & Sohn Ashutosh Upadhyaya (Patna, Bihar)
1998-2000 Pt. Tribuon Upadhyaya (Indupur, Uttar Pradesh)
2000-2003 Krishnadas Gujrati (Varanasi)
2000-2002 Pt. Chandra Kumar Mallick & Sohn Uday Kumar Mal
2002-2003 Mohan Shyam Sharma (Delhi)
1992-1995 Tabla-Diploma-Kurse an der Benares Hindu University
1996-1998 Pakhawaj-Diploma-Kurse an der Prayag Sangit Samiti Allahabad
While conducting his research, Jörg Kaufmann came across a range of old books (Tal
Manjeri, 1887; Mridang-Tabla Vadanpaddhati, 1903; Mridang Sagar, 1943; Mridang-Tabla
Subodh, 1944; Tal-Dipika, 1953; Mridang-Tabla Brabhakar, 1958; Mridang Ank, 1964).
The study of this literature allowed him an unparalleled insight into a culture
that is difficult for foreigners to access. Eventually Jörg achieved such a high
level of knowledge and mastery that the Indian Dhrupad and Pakhawaj Society accorded
to him the highest level of respect by acknowledging him as a representative of
this genre of drumming. Padma Vibhushan Pt. Kishan Maharaj, one of the finest tabla
players of our time, hails from an old tradition with extensive knowledge of the
pakhawaj - he was impressed by Joerg's playing and research and invited him to his
house to expand his knowledge and practice.
Teaching Experience (Individual tuition and workshops)
Since 1985 - Afro-Cuban rhythms and percussion
Since 1987 - African rhythms and percussion
Since 1994 - Pakhawaj and Tabla
2004 - Involved with the world music shop "Rainbow-Shop" in Pfäffikon SZ
(Switzerland)
2004 - Involved with the Schlag.Zeug.Atelier in Zug (Switzerland)
2005 - Founding of "PercussionArts", his own school of rhythms and percussion
in Siebnen (Switzerland)
2007 - Development of a revolutionary new Rhythm-Training-System, based on
the oldvedic Teachingsystem
2009 - Involved at Yoga-Vidya.de - Workshops, Concerts, Accompaniment of
Satsangs, Lectures and Mantrasinging
2010 - Development of a revolutionary Teachingsystem for all the Satsangdrums
in the Kirtanmusic
2011 - Founding of the „YogiPercussionSchool`n`Ashram“ in Basel - Satsangdrums
for Yoginis`n`Yogis
2012 - Education for Yogateacher RYT-200 (YogaAlliance) in Basel
2013 - Education for Yogateacher RYT-500 in Kerala
2014 - Development of a new revolutionary Teachingsystem for the Singing
and Chanting of Mantras from and the practice of the different "Yogi-Music-Instruments"
from East`n`West (Tampouras, Harmonium, Gitarre, etc.)
2014/15 - Education for Yogatherapy (Kaivalyadhama Yogic Institute, Lonavala)
Concert Performances (Solo, group und accompaniments of dancers)
Since 1985 - Involvement in various jazz-, funk- and percussions outfits
and Afro-Dance projects
Since 1986 - Accompaniments at Afro-dance workshops
Since 1993 - Accompaniments at dhrupad workshops
Since 1994 - Indian music concerts (Dhrupad, Khyal, Classical, Bhajans, Kathak,
etc.)
Since 2009 - Accompaniment of Mantrasinging in the West
Since 2012 - Accompaniment of Mantrasinging in India
A Selection of Concerts in India
- Dhrupad Mela, Varanasi (1995-2001)
- Dhrupad Samaroh, Aurangabad (1996)
- Rama Krishna Mission, Varanasi (1998)
- Barsi, Tribute to Ustad Zia Mohiuddin Dagar, Mumbay (organisiert durch Dagar Memorial
Trust, 1999)
- American Institute of Indian Studies, Delhi (1999)
- Indian Habitat World Centre, Delhi (2000/01)
- Gopal Mandir Temple, Varanasi (1998-2003)
- Vishnu Mandir, Chowk Varanasi (2005)
- Playing in different Yogacenters in India (Since 2012)
- Kaivalyadhama Yogic Institute, Lonavala (2013)
- Lonavala Yoga Institute, India (2014)
A Selection of Concerts in Europe
- "Salon de musique" in Suresnes , Paris (1995/99)
- Mandapa Centre, Paris (1995/99)
- Nadopasana Centre, Paris (2000)
- Festival in Saint Florin le Viel "Les orientales", Frankreich (2000)
- Landesbibliothek Bregenz, Oesterreich (2003)
- Rietberg Museum, Zürich (2001/04)
- Stadthaus Zürich (2004)
- Festival Etnika, Lugano (2005)
- Worldmusic-Festival, Lyon (2006)
- Worldmusic-Festival – Theatré de Grand Ronde, Toulouse (2007)
- At PercussionArts Swiss and Robert-Schumann-Saal Düsseldorf mit den Gundecha Brothers
(2008)
- Rheinisches Landesmuseum Bonn für DIG und WDR / Rietberg Museum, Zürich mit den
Gundecha Brothers (2009)
- Different Yogacenter in India (since 2009)
Accompaniment of many dhrupad singers, including ... :
Ustad Zia Fariddudin Dagar, Ustad Sayeeduddin Dagar, Ustad Wasifuddin Dagar, Ustad
Bahauddin Dagar, Dr. Ritwik Sanyal, Ravindra Goswami, Nirmalya Dey, Pallav Das,
Ivan Trunzler, Pt. Abhay Narayan Mallick, Prem Kumar Mallick, Uday Kumar Mallick,
Sanjay Kumar Mallick, Amelia Cuni, etc.
Professional Development
- Regular professional development in Afro-Cuban and African percussion, as well
as Rhythm & Movement.
- Plans for future study: annual study and research trips to India to study with
the family and disciples of the legendary Pt. Kishen Maharaj and various pakhawaj
masters.
- Ausbildungen in Yoga, Yogatherapie und Sanskrit plus Singen`n`Chanten von Mantren,
Slokas, Sutras, etc..
- Development of the Research`n`Teaching-Plattform "www.pakhawaj.info" with different
master from India.
- Research and Studies with different Tablaplayers and Kirtandrummers in terms of
Semiclassicaldrumming
- Studies in Yoga, Yogatherapy, Sanskrit plus in Singing`n`Chanting of Mantras,
Slokas, Sutras, etc. - Development of a Music-Lern-System for Yogis for Yogis from
East`n`West, which will bring them most
fast`n`easy into a correct practicing, playing and performing ... „YogiPercussionSchool`n`Ashram“.
Languages
German, English, Hindi